A Fresh Face: Welcome Jaclyn!

By Jaclyn Johnson

Hey there, friendly reader! 

It’s me, Jaclyn June Johnson. I’m the newest team member here at the Commonweal! After living in Wisconsin for the better part of a decade, it’s lovely to again call my native state home. Returning to the state to join the Commonweal fills me with enthusiasm and inspiration. I’ve long been familiar with this company and its legacy of community-mindedness and artistic excellence.

Best Friends Stab (You In the Back) by Gina Gomez premiered at Broom Street Theatre in Madison with Jaclyn as Kyle opposite Elizabeth Joy as Finn. Photo by Benjamin Barlow.

Since my graduation from Cornell College in 2006, I have galvanized my theatre skills both artistically and administratively. I am an Actor, Director, Costume Designer, and Playwright. Collaboration and empathy are at the core of my artistic identity. They also happen to be the reason I find theatre compelling for audience and company, alike. Theatre is the ultimate collaborative art-form, and can be a transcendent exercise in empathy.

After several years as a freelancer, In 2010 I joined St. Croix Festival Theatre’s staff as the Associate Artistic Director. Festival Theatre utilizes a similar Artist/Administrator model. Later I became the Artistic Director. After a planned exit in 2015, I returned the following year as the Co-Artistic Director and helped Festival Theatre to restructure and restrategize as it acquainted itself with a new facility and its new organizational needs. Having worked in theatres all over the country – from Creede Repertory, to Riverside Theatre, to National Theatre for Children – I’ve long admired the Artist/Administer model. From afar, Commonweal has inspired me and countless other multi-talented theatre workers.


Jaclyn as Catherine Holly in Stage Q’s production of Tennessee William’s Suddenly Last Summer, at the Bartell Theatre in Madison, Wisconsin. Photo by Brett Williams.

In 2020, you will find me in a half-time position in the Commonweal Resident Ensemble as I complete a few other artistic responsibilities, and ensure I see my husband (and our three beautiful cats) whose work has him tethered in Wisconsin (my husband’s work, not the cats’). Towards the end of the 2020 season, I will transition into a more full-time presence in Lanesboro as I take on the role of Development Manager. 

This year brings a lot of excitement. I’m performing in two dream roles at St. Croix Festival Theatre – The Witch in Into the Woods, and Elizabeth Proctor in The Crucible – but it is this dream Artist/Administrator position at Commonweal that is thrilling me the most about my year. Here’s to the intersection of community and artistic excellence, collaboration and empathy! 

Thanks for reading, friendly reader! I can’t wait to meet you in person at the Commonweal.
~Jackie (Jaclyn June Johnson)

Keep an eye out for Jaclyn this season at the Commonweal. Do you have your Season Passes yet? They’re going fast so be sure to order yours online, or give us a call at 800-657-7025!

Searching for “The Fox”

By Brandt Roberts

There was a moment last fall when I was having dinner with Elizabeth Dunn and she asked who I thought could direct the apprentice capstone project? I cautiously raised my hand. It had been seven years since I directed a full-length play, and I realized I was craving the process. I have tried to support our apprentices’ capstone in past seasons in any way I could, and this seemed like the perfect chance to throw my hat into the ring to direct again.

The Fox will play March 13th to March 29th
Alicia Ehleringer and Caroline Hawthorne

When I read the play and I was hooked. This year’s apprentice class (Caroline Hawthorne, Matthew Donahue, Alicia Ehleringer, and Jodi Rushing) has chosen The Fox by Allan Miller, based on the novella by D.H. Lawrence. The play is set in 1918 on a farm near Berkshire, England. The farm is run by two young women named Jillian and Nellie. The two decided to leave the town because of the gossip and the influenza epidemic. Their main source of income is their hens, but the hens have ceased to lay eggs and a fox continually raids the chicken coop. On a windy November night, a young solider named Henry unexpectedly arrives at their doorstep, having just returned home from the war. He seeks refuge – but what does he really want?

That is all I will venture to say about the plot. The Fox is simultaneously beautifully poetic and strikingly realistic. The characters are colorful and complex. So much of what is said is unsaid. The play bounces from dry sardonic wit towards terrifying thriller. It is a shocking reminder that while the story is fiction, these characters represent reality. Humanity is brought to light in the shadows of this dilapidated farmhouse.

Although the play is set on during the twilight of World War I, the issues it presents are timeless: pandemics, war, sexuality, gender roles, toxic masculinity, gas lighting, social norms, etc. I could go on and on about the script and the novella, but I’ll just say you’ll have to see it for yourselves!

I am proud of our apprentice class for their selection, and who they are as artists. I am honored to be on this journey with them, we are having a blast! Their hard work in rehearsals and behind the scenes will bring this incredibly human story to life. Come visit the past to gain clarity on the present at the Commonweal this March.            

Don’t miss Brandt’s directorial debut with the Commonweal, and the hard work of all of our wonderful apprentices! Get your tickets for The Fox, opening March 13th —> Performance Calendar