Flights of Angels

“One man’s life touches so many others.”
It’s a Wonderful Life

With aching hearts, we must announce that our colleague and dear friend, Scott Dixon, passed away on Thursday, November 29, 2018. He spent the last two years living with cancer and has now journeyed on. His legacy will live in our memories of his work on stage and his written stories and plays. And in remembering the many years he devoted himself to our company and our community, we’re reminded why we so often speak of “our Commonweal family.” Scott was a treasured member of our family and we will not be the same without him.

To learn more about our plans to celebrate Scott’s life and legacy, CLICK HERE.

Scott Dixon with the cast of Dracula, Prince of Blood

 

 

All Things Sarah Ruhl

Following a brief hiatus, The Clean House by Sarah Ruhl returns to the Commonweal stage through October 22. You may not know much about Sarah Ruhl, you may have never even heard the name Sarah Ruhl before…Drama Unfolds to the rescue! In this edition, I have included several links to interviews with Sarah, stories about her and, especially, her thoughts and inspirations on the gorgeous play of hers on our stage for the next four weekends. Read all of them now or save some and keep coming back for further reading. And now, all things Sarah Ruhl.

“Putting Things up Against Freud”

—Your dialogue often reads like poetry, filled with poetic lines breaks and metaphors. How did you develop your unique writing style?
I started out as a poet, became a playwright, and kept going. I think playwriting contains all other genres, including poetry, the essay (or argument), story, song… And it’s one thing that draws me to the form again and again — the way it folds all the other genres in. Click here to read the full interview from Proscenium Theatre Journal.

—Sarah Ruhl on Subtext. Click here to watch the full video.

—Sarah Ruhl: “I think our generation has to look at Sigmund Freud and Freud’s impact, and many of us say, Oh, maybe Freud didn’t have it right. Something that he was right about he got from literature: the Oedipal complex, from the Greeks. So maybe we ought to go back to the Greeks instead of back to Freud on the Greeks.” Click here to read the full BOMB Magazine interview.

—Sarah Ruhl and her plays remind us to be ten once more and play, to wonder if stones have thoughts as in Eurydice, if cell phones are portals to the afterlife as in Dead Man’s Cell Phone, and if jokes in other languages were funny enough to kill you as in The Clean House. To be childish, to be childlike — to be ten! Click here to read the full Breaking Character Magazine article.

—I grew up seeing pictures of my mother all over the house flying, in green tights. She played Peter Pan as a girl in Davenport, Iowa. I was also mesmerized by a photo taken by the local paper of my mother as a teenager standing next to Mary Martin (pictured here). My early love of the theatre was formed in the crucible of my mother’s flight, as it existed in memory. A year after writing For Peter Pan on her 70th Birthday for my mother, I sat down with her in Evanston, Ill., where she lives, to ask her a little bit about her long life in Chicago theatre. Click here to continue reading an interview by Sarah Ruhl of her mother Kathleen.

The Clean House is now playing on Monday & Friday nights and Saturday afternoons in rep with Dracula: Prince of Blood. This is a limited run of twelve performances.
GET TICKETS —> Performance Calendar.
Thanks for reading and I’ll see you at the theatre—Jeremy.

Portraying an Icon

Playing Literature’s Icons: A Different Kind of Challenge

by Jeremy van Meter

I just did an internet search for the names of the actors who have embodied the character that I am currently playing. Now, to be honest, I do not do the same search for every character that I play. That search is saved for only the iconic or the Shakespearean characters. And the man, so to speak, I am playing now is certainly one of literature’s most iconic.

My search resulted in seventy-seven other actors who have portrayed Count Dracula in some form or another. That search is specific to the film world which means that taking live theatre portrayals into account, that number most certainly reaches into the hundreds. Some highlights from my search:

  • Judd Hirsch of Taxi fame played the count in a made for TV movie entitled The Halloween that Almost Wasn’t.
  • John Caradine played the monster in Dracula vs. Billy the Kid. I promise I’m not making that title up.
  • Christopher Lee played Dracula in ten different films over the course of his career.
  • Robert Reed, the patriarch of The Brady Bunch, played the role in a vampiric episode of Fantasy Island.

Playing a well-known and iconic character is an interesting and fascinating challenge and, at times, can be an uphill struggle. I have known for quite some time that Scott Dixon was envisioning me as he was writing his title character in Dracula: Prince of Blood, an adaptation of Bram Stoker’s Dracula. First of all, that is quite humbling and has made me take great care in how I created the character in rehearsal and how I play him in each performance. The other consideration was for all of those men who have played the role ahead of me. The one thing that I hope to never hear is that I am a reminder of Gary Oldman or that I sound like Frank Langella did when he played the role. The uphill climb of playing the iconic character is to find the specific nature and quality that makes the role “your own.” In so doing, I am being faithful to myself and my talent in not playing a carbon copy and I am being faithful to the vision of the playwright. An honest portrayal is my only task.

And speaking of iconic characters…my next role at the Commonweal is to play a radio actor playing George Bailey on-the-air in It’s a Wonderful Life: A Live Radio Play. The answer to your question is, “No, I will not be playing Jimmy Stewart.”

Dracula: Prince of Blood is now playing at the Commonweal through November 11.
GET TICKETS —> Performance Calendar
Thanks for reading and I’ll see you at the theatre—Jeremy.